terça-feira, 30 de junho de 2009

Boulez: Sur Incises


. Pierre Boulez explica sua peça: Sur Incises


parte 1
9min 43seg



parte 2
9min 57seg



parte 3
7min 29seg



Pierre Boulez conducts one of his pieces, entitled Sur Incises. With the Ensemble InterContemporain. For 3 pianos, 3 harps, and 3 mallet percussion instruments. Taken from the DVD "Éclat".

Sur Incises (extrato) - Ensemble InterContemporain
7min 18seg




terça-feira, 23 de junho de 2009

Guillaume de Machaut (1300 - 1377) § Messe de Notre Dame


A French classical composer, important in the development of polyphonic music. His works include La Messe De Notre Dame, one of the earliest masses, probably composed in 1364, several motets and many songs.

Machaut was born around 1300 in the Champagne region of France. He had a clerical education and took holy orders. In 1323 he joined the royal household of John of Luxembourg, King of Bohemia, and served as secretary in the the king's retinue. He traveled with King John's court, but increasingly spent his time composing rather than in administration, becoming widely respected as a poet and a composer. His first verified composition was a motet written in 1324 for the election of the Archbishop of Rheims. Through the efforts of King John, Machaut was granted several benefices, in particular the canonry of the new Gothic cathedral in Rheims, which was granted in 1337, eventually taking up residency there in 1340. He left his formal work with the king, though remaining in service until the monarch's death at the battle of Crecy in 1346. Machaut had accompanied the king on several military campaigns, including the disastrous battle of Crecy where the king fulfilled his chivalric destiny by charging into the fray, even though he was blind. After the outbreak of the Black Death in France at the end of the 1340's, Machaut prepared eleborate collections of his compositions for his patrons, who included John, Duke of Berry, and the future King Charles V of France. These unique, beautifully illuminated manuscript editions combined motets, ballads, and many other forms with a wide selection of his poetry.

Ensemble Gilles Benchois
Carlos Mena / José Hernandez Pastor / Stephan Van Dick / Hervé Lamy / Jacques Bona / Dominique Vellard
Dir. Dominique Vellard.


1 » 5min 56seg



2 » 7min 06seg



3 » 5min 01seg



4 » 3min 48seg



5 » 5min 52seg



6 » 2min 36seg



7 » 7min 09seg



8 » 1min 39seg



9 » 7min 38seg



10 » 1min 42seg



11 » 3min 42seg



12 » 5min 08seg



13 » 1min 22seg



14 » 1min 39seg




sexta-feira, 19 de junho de 2009

Silence


. só 39 minutos

. . Jan Garbarek
. . Egberto Gismonti
. . Charlie Haden





terça-feira, 16 de junho de 2009

six drummers


. music for one apartment and six drummers

. 9min 31 seg




sexta-feira, 12 de junho de 2009

Edgard Varèse : Ionisation


. em 2 versões

. . Pierre Boulez conducts the Ensemble InterContemporain playing Ionisation by Edgard Varèse.

. . 6min 51seg




. . sem informação de intérprete

. . 5min 13seg





segunda-feira, 8 de junho de 2009

bruxaria


Hermeto e Sivuca 1 - Solos
8min 25seg



Hermeto e Sivuca 2 - Nas Quebradas - Chorinho Para Ele
7min 43seg



Hermeto e Sivuca 3 - Homenagem à velha guarda
4min 50seg



Hermeto e Sivuca 4 - Bebê
7min 26seg



Hermeto e Sivuca 5 - Tico-Tico no Fubá
4min 18 seg



Hermeto e Sivuca 6 - Asa Branca - O ovo
6min 11seg



quinta-feira, 4 de junho de 2009

tico-tico visita Berlin


. quem disse que alemão não toca choro bem

. . pelo menos a Filarmônica de Berlim

. . regida pelo Daniel barenboim

. . mostra porque estão entre os melhores

. . . 4min 5seg





segunda-feira, 1 de junho de 2009

Brahms : Trio nº1 : opus 8


. para começar esta nova etapa

. . nada melhor do que a audição deste

. . . impressionante trio de Brahms


. . Johannes Brahms
. . Trio Piano, violino e violoncello nº1 em Si maior, Op8

. Elena Baschkirova, piano
. . Maxim Vengerov, violino
. . . Boris Pergamenschikow, cello




I. Allegro con brio (1) : 7min 59seg


I. Allegro con brio (2) : 6min 31seg




II. Scherzo (Allegro molto) : 6min 32seg




III. Adagio : 9min 1seg




IV. Allegro : 6min 51seg